Wednesday, May 30, 2007

Making Movies

There have been millions of things written on making movies... none of them the same, none of them right or wrong. All of the great directors (and some of the not so great ones too) have all had their say on the nature, purpose and process of making a movie. Who's theory is better? Welles or Bergman? Hitchcock or Peckinpah? Fellini or Kurosawa? Kazan or Fuller? Name after name, I could make a list of the hundreds of well respected directors who have written on the subject of their art or trade. How does one study movies or leanr how to make movies?
The first option that comes to mind in today's society is, of course, film school. You can pay a lot of money to attend a University and be taught how to make a movie. This is a useless option, trust me, I speak from experience. Film school, much like any art school is an ego bloating party where those on the inside shameless attack and compliment each other into believing they are somehow superior to the outside world because they are artist and being an artist is your birthright into an enlightened existence--come to think of it, this sounds an awful lot like Hollywood. Film schools are stupid, throw rocks at them. Film school gives you no preparation for what lies in the outside world, especially if you want to be a director. If you are more sensical and want a career as a technician or in special effects or post production, you are less likely to get the heavy foot of reality kicking your ass.
If you want to be a movie director, film school is the worst place to go. I would recommend going to business and management school, take a minor in film studies and take acting classes on weekends. Business to learn management, budgeting, sales and negociation skills. Film studies so you can watch what the great film aueteurs did and learn from them. And finally acting classes so you understand your actors and what they learned and what its like to be in their shoes.
Because as a director, especially independantly (nobody will hand you a $100 Million budget right out of film school--if ever) you will need to know how to motivate people to work for free or for cheap. You will need how to get things done without a million assistants--more than likely you will be spending your own money, so learning how to make a sophistacted budget would be a great help.
A lot of people I know often tell me they wish they could make movies. "Go ahead and do it," I say. In fact go ahead and chase your dream no matter what it is and no matter what age you are or what stage of life you're in. Making a movie is simple enough, you need a camera, someone to operate it, a story, actors and editing. Well, with today's technologically evolved world these things are not hard to come by. You can buy a good quality digital video camera for under $2000, you can get a editing software for any PC for as little at $60 and if you tell people you are making a movie, you will see that it's not hard to get someone to act in it for free...
If you want to make a movie go ahead, if you want to go to school go ahead, or if you just want to pick up a camera and film stuff go ahead. That's the essence of cinema, experiment and developing new things and ideas. Go ahead, make a movie.

Monday, May 28, 2007

Cinema is a liar

"Je suis un menteur qui dit toujours la verite" Jean Cocteau

I am liar who always tells the truth. Isn't that the very essence of filmmaking. The stories I write and bring to the screen are all made up, they are in the words of Fellini "supreme fictions" an in simpler terms they are simply lies. Lies that reveal truth--truth in the human condition. Afterall, don't all lies lead to the ultimate truth. Cinema is the language of lies, everything you are shown or told is not real, but in some cases is allows you to have a greater undertsanding of reality and of truth. A lie, or something created is as real as you see it. Is not a movie real for its duration, is not the time you watch the movie a time you spend believing its reality. Is the lie cinema is telling you really a lie. Who defines the difference between imaginary and real? Is not the artist the medium, the determining factor between fantasy and the rest of the world?

How ficticious is art? How much of a lie is it really? Does not every artist put a piece of himself in his art? If this is indeed the case does not all art have fundamental truth in its perceived existence of lies? Or the feelings it brings about in its audience, the very human, very true feelings that the lies bring out? What do we make of them? Do the feelings and reflections of truth brought out by the lie of cinema mean that the lie is justified? Do they make the lie real?

Is cinema a lie or is a human way of discovering truth?

-MJ

Sunday, May 27, 2007

On Making Movies

I sit in the editing room with Andy the editor, Izumi has got the headphones on, translating the scenes into rough English to allow Andy to cut the film together. Almost a year has passed since we began this little adventure titled Ashita. I feel old... and since I joined Facebook I feel even older. I see so many people from my past and I remember clearly in my young days, I had promised--I had sworn by the time I reached today I would be successful... I would be somebody. I sit and watch Andy and Izumi work and I smile--success is a state of mind. Am I happy with my world? After all am I not doing what I've always wanted to do? A lot of people will say that making movies my way is a sign of success, I will thank them and say, that being married to a wonderful woman who understands why I need to make movies is a better sign of success. Being surrounded by people who have a genuine interest in my ideas--people who help to bring my dream to life is a sign of success.
I have a lot of regrets in my life, there are a lot of things I wish I could change, but the past is just that... I can't undo it. There are very few things in my life that make sense, my wife is one and these movies I make are another. Good or bad, my movies are a part of me--with each one I grow and find deeper meaning in the art. And good or bad, I am proud of them. When people get interested in making movies, acting or performing they are quick to want fame and fortune... but some of us realize that our need, our passion for our art is not about fame and fortune, in fact its about something much deeper, much more personal. That's the only way I can explain it, there is no way to describe it properly, it's just inside you... like a dark secret that the whole world can see.

Friday, May 25, 2007

The New Film

Films are made with two things, passion and luck. Luck is the biggest aspect of it all. You need to be lucky to make a film, you need to be lucky to find the right people with the right talent and the right passion who are all willing to get involved with your tiny, insane idea.

I am very lucky.

I have made two films previously and now I am almost done my third. I count my blessings every single day. Sure, I will complain and constantly be exhausted, but it's not everybody that can follow their dream so closely. So I thank every single person who has given a second of their time to any and all of my films.

Ashita is my third and is the biggest group of people I have worked with. It's almost a year since preproduction began and again, I am very lucky. The people involved, from production, post production to music and even marketing and film festival organization are wonderful. I will always keep them in my heart--no one who believes in you or your ideas should ever be shut out of your life. Yes, sometimes I get angry or disappointed, but these people have given so much of themselves for an idea I had--most of them began when it was only written on paper and excitedly got involved with this project. It truly is amazing.

When the long nights of shooting or editing are done, it all kicks in my mind, this is really what making movies is about. It's not about the fame or the money, it's not about the fancy cars, it's about exploring the human condition through various forms of art. I wouldn't trade my conversations with Andy (editor), Don (music, singer of The Zoobombs) or Izumi (producer, actor and my wife) about movies or about the meaning of things for a fancy car. I wouldn't trade the passion I've seen in people's eyes on set or in meetings for the ability to sign a few autographs. Because what truly makes a movie is people. People--human beings, that's what my movies are about, I would be very foolish if I forgot that people make movies with me and they do it because they believe in me... and I believe in all of them too.

What a great place this world would be if we all believed in each other.

-MJ